
Anwar returns to his village and actively preaches about going on the holy pilgrimage. Kyai Anwar sees him as a rival and calls Anwar a fake clerk and won’t allow his daughter, Rokayah, to have a relationship with Anwar. His hidden agenda is his fear about losing his broker business that holds most of the villager’s money, planning to go on the pilgrimage. This challenge is faced and solved by Anwar.
Directed by Usmar Ismail, Ja Mualim leans on a strong ensemble — Rachmat Hidayat, Widyawati Sophiaan, Menzano — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1968.
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