
The beautiful Tanya returns to her small mining town, after supposedly working as a model in Moscow. She decides to marry her shy school sweetheart Mishka, who now works in the mine. The miners finally receive some pay, but Mishka still ends up with no money to buy his bride a gift, so he seeks the help of his perpetually drunk buddy Garkusha. Mishka's poor working-class family all help to put on a fine wedding with copious amounts of vodka, even though they are suspicious of Tanya's occupation in Moscow, and of her connection with her Mafia ex-boyfriend Borodin.
Directed by Pavel Lungin, The Wedding leans on a strong ensemble — Marat Basharov, Mariya Mironova, Andrei Panin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2000.
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A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
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