
The scene is laid in the West and presents a French count, in immaculate attire, suddenly dropped among the cowboys. Following an altercation he offers to fight a duel, but when the results of a scheme arranged by the cowboys to show his opponent killing duelists by wholesale are seen, he breaks away and barely succeeds in catching the stage on his way back to the effete East, while the cowboys make merry over their successful joke.
Directed by Gilbert M. Anderson, The Count and the Cowboys leans on a strong ensemble — Victor Potel, Augustus Carney, Arthur Mackley — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about western titles of 1911.
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