
John Harms, a corporation magnate, has two motherless sons, Bobby and Sam. Bobby is a cute little youngster of six, and Sam is of age and spends his father's money with recklessness. Richard Freely, an arch-enemy of Harms', is continually trying to dissolve the corporation, and not until Newton, a half-brother to Freely, has forged some checks on a good friend of Harms', does the financier secure a wedge with which to ruin Freely. Harms threatens to expose his enemy for defending Newton, and Freely is saved from bodily injury by Bobby, who has come to ask his father for candy. Meantime Sam has forged his father's name to a check and handed it to Newton in payment of gambling debts. Harms is about to sacrifice his son to down Freely, when the little "Buffer' again bursts in and drags Sam away to play horse.
Directed by —, The Buffer leans on a strong ensemble — Richard Travers, Rapley Holmes, John Cossar — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1914.
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Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British prep school. After nearly 20 years of service, he is being forced to retire for 'health reasons', and perhaps may not even be given a pension. The boys regard him as a Hitler, with some justification. His unfaithful wife Laura tries to hurt him in any way she can. Andrew must come to terms with his failed life and at least regain his own self-esteem.
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