
Two brothers, Jaya and I Pageh, are commoners who love Gusti Ayu Pandansari, the daughter of the King of Tabanan Bali. Since young, Pandansari was close to Jaya and Pageh, and romance grows in a triangular relationship. The only constraint is the social hierarchy or caste. Although Pandasari prefers Jaya, she finally marries Pageh instead, since she is led to believe that Jaya has died in exile.
Directed by Andjar Asmara, Noesa Penida leans on a strong ensemble — Ratna Asmara, Astaman, R.D. Ismail — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1941.
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South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
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