
A woman driven by misery to a path of degradation until the inexorable end of which the tango symbolizes, at the same time, her condemnation and her liberation.
Directed by José A. Ferreyra, El tango de la muerte leans on a strong ensemble — María Reino, Margarita Piccini, Nelo Cosimi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1917.
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