
A dapper sergeant in the army won the love of a pretty young stenographer, and they had planned that as soon as his term of enlistment was up he would enter private life and marry her. The girl was employed by a firm who had offices in one of the tallest of New York's skyscrapers, and her sweetheart saw her there. She took him to her favorite observatory, the roof of the building, where he obtained a magnificent and uninterrupted view of the greatest city in the world. He, on his part, took his sweetheart to the army maneuvers, where she witnessed with delight the well drilled troops, but would not confess that there was one man among them who could not compare with the one of her choice. She was particularly interested in the signal corps, however, and at odd times the sergeant instructed her in the code until she had become fairly proficient in it.
Directed by —, The Top of New York leans on a strong ensemble — James Cruze, Marguerite Snow, Riley Chamberlin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1913.
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