
A sharp black comedy that lays bare the contradictions, obsessions, and moral emptiness of a Venezuelan man who has climbed the social ladder through easy money rather than effort. The film portrays a glittering yet hollow way of life, marked by excess, paranoia, and emotional dislocation. Oswaldo, weary of his stagnant marriage, embarks on a passionate affair with a television star, believing that money lies at the center of all human relationships. In a world where everything seems purchasable—desire, loyalty, even identity—the film exposes the seductive illusion and underlying madness of sudden wealth.
Directed by Antonio Llerandi, Adiós, Miami leans on a strong ensemble — Gustavo Rodríguez, Tatiana Capote, Alicia Plaza — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1984.
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Leo and Angela Russo live a simple life in Queens, surrounded by their overbearing Italian-American family. When their son finds success on his high school basketball team, Leo tears the family apart trying to make it happen.
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