
In the valley the world's best "eternal triangle" is being worked between a husband, a much younger wife and "one who covets." On the heights, the shepherd hears the call and for the nonce becomes a wanderer, and descends into the valley of Passions and Pain. It is the gentle, unfelt, almost unseen influence of the wanderer that stops a maddened husband from first murder and then suicide; exposes the frailty of a wife to her own consideration, and points out to her the grim consequences of a moment's folly, and finally takes the "one who covets" away from the born passions of the valley a far journey up the heights, and disaster to three souls.
Directed by —, The Wanderer leans on a strong ensemble — King Baggot, Jane Gail, Howard Crampton — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1913.
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An odyssey through time and memory, centered on a place in New Jersey where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.
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