
Performed at the Lincoln Center. Conducted by Sarah Caldwell. The staging and costuming explicitly telegraphed the characters. For example, Rosina (Beverly Sills) has a gown with feathers and her room resembles a birdcage complete with a swing, telegraphing her as being confined like a bird.. Figaro (Alan Titus) looks like a barber pole, while the notary (Michael Rubino) has an inkwell on his hat. Dr. Bartolo (Donald Gramm) wears two pillars that are cracked after his plans to marry Rosina are thwarted. Tenor Henry Price as Almaviva sports books in his disguise as a student.
Directed by Kirk Browning, Sarah Caldwell, New York City Opera: The Barber of Seville leans on a strong ensemble — Beverly Sills, Henry Price, Alan Titus — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1976.
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