
At the beginning of the century. To punish him for his failure at school, Count Ivan Petrov takes his son Alexander to spend the two summer months in their Crimean estate, far from any distraction. For the 18-year-old, this is the beginning of a long period of isolation, one-on-one with a father whose severity he fears. Once on the spot, Ivan announces to his son the imminent arrival of his cousins Katia, whom he loves in silence, and Natacha, accompanied by their mother Elena. The joy of Alexander is short-lived, Natacha learning to him immediately that Katia comes in fact to celebrate her engagement with Nicolai. His dismay increases when he discovers that it is his father who arranged this marriage, of which Katia does not seem to be very happy.
Directed by Jérôme Foulon, Été brûlant leans on a strong ensemble — Claude Rich, Matthieu Rozé, Anne Roussel — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1995.
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Nour, a 14-year-old boy, is enjoying the summer holidays in the South of France. He is the youngest of four brothers. They live together in a council estate, caring for their mother who is in a coma. Nour dreams of escaping to a faraway place. When he crosses paths with Sarah, an Opera singer teaching summer classes, he finds the opportunity to come out of his shell and explore new horizons.
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