
Three stories by three directors, three journeys into the world of teenagers and countercultures. The stories are interlaced with each other. Characters with a small performance in one story will play a major part in one of the other two stories so we will learn more about them, on the other hand central characters appear again in the periphery of one of the other stories. It is done in a casual way, comparable with the situation in daily life when two friends are running into each other by chance. Petra and Nicole in their shrill world of brightness. Loafing around, bumming and teasing guys.
Directed by Barbara Albert, Reinhard Jud, Shrill, Bright World leans on a strong ensemble — Georg Friedrich, Martina Pöltl, Doris Hick — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1998.
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In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
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