
In Paris, the student protests of December 1986. Alice Lazard is having her own revolution, expressing herself and trying to confront a world whose aggression and hatred ignite her fierce will to live and her madness. Or so we imagine. Swept away by her colorful language, her youth, her vivacity, her humor, we remain fascinated, and yet she expresses so much despair in the slow destruction of her relationship with a man... Romain, the creator of this character, is overwhelmed by her. He projects himself into another woman, Alice Lazard, brunette, warm, and aggressive. She comes to present herself to Romain for a role in his next film, but she doesn't understand his reactions at all. All of this unfolds under the sometimes amused, sometimes irritated gaze of Jean, the film's editor.
Directed by Gabriel Benattar, Alice leans on a strong ensemble — Anne Consigny, Nadia Mourouzi, Alain Fromager — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1988.
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Mathieu lives in Paris, Alice in a small seaside resort in Western France. He is a famous actor, about to turn fifty. She is a piano teacher in her forties. They were in love fifteen years ago, then separated. Time has passed. They each went their ways and slowly healed. When Mathieu goes try to overcome his melancholia in a thermal spa, he stumbles upon Alice.
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