
A bourgeois family reluctantly watches a home documentary about the horrors of the Second World War.
Directed by Ricardo Alventosa, Sin memoria leans on a strong ensemble — Fernando E. Solanas — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1962.
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Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.
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