
Hector is a period piece of a sort, taking place in 1993, 2014, 2022, and in the thirty-second century—loosely chronologically, though striated throughout with flashbacks and visions of the future(s), edited as though by a half-dozen different people with entirely different intentions, or one nut job desperate to appeal to a half-dozen different audiences. It may loosely be described as a movie about the making of a movie, in which Corirossi plays “Nick Corirossi,” a balding lecher and fraud director whose messianic delusions turn out to be true.
Directed by Nick Corirossi, Hector leans on a strong ensemble — Nick Corirossi, Charles Ingram — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2014.
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In order to be reinstated to the bar and recover custody of her daughter, a hotshot lawyer, now in recovery and on probation, must take on the appeal of a woman wrongfully convicted of murder.
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