
Bill Roberts is an American radio commentator station in Berlin in the months before Pearl Harbor. Having witnessed Nazi brutalities first hand, Roberts hopes to alert his listeners of impending dangers, and does so by sending out coded messages during his broadcasts. The Gestapo begins to suspect something and assigns glamorous secret agent Karen Hauen to spy on Roberts. When she discovers that her own father is supplying Roberts with vital secrets, she turns her back on the Nazis and joins our hero in his efforts.
Directed by Eugene Forde, Berlin Correspondent leans on a strong ensemble — Virginia Gilmore, Dana Andrews, Mona Maris — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about thriller titles of 1942.
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A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noisy argument in the neighboring house, being conducted largely in German and involving her HUAC prosecutor. She begins to investigate, enlisting the help of the FBI Agent initially detailed to surveil her.
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