
A guy with bad feelings and worst methods, willing to do anything to satisfy his greed and vanity, is unhappy with the role of Judas in the Passion a play that is traditionally represented in his town because he prefers the role of Jesus.
Directed by Ignacio F. Iquino, Judas leans on a strong ensemble — António Vilar, Manuel Gas, Ramona Cubeles — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1952.
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After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
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