
Through four different paintings, the play discusses several issues in a comedic style. The first panel discusses the issue of intermediary in employment, while the second panel discusses the issue of theft of Kuwaiti investments abroad, the third panel discusses the issue of shooting at weddings, and in the fourth panel discusses the housing issue.
Directed by Bader Mohareb, Kamel Al-Dasam leans on a strong ensemble — Tariq Al-Ali, Ahmad Johar, Ali Sultan — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1994.
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When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.
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