
In the 16th century, the French astrologer Nostradamus predicted that the world would end in July, 1999. According to him, cataclysms would transform the Earthinto a lawless place where evil would prevail. As the deadline approaches, little Kappei and several other children are isolated on a Japanese island to train in the mystical arts of Mukai Sappuken to save the planet. The problem is that Nostradamus has royally screwed up, so in the spring of 2022, their master sends them to live a “normal” life. Poor Kappei finds himself in Tokyo with shorts that are really too short, the attitude of a manga character, and the psychosocial baggage of a fossil. His quest for justice brings him his first friend, who introduces him to his first love. The apocalypse fighter has not been trained for this at all, and every emotion totally destabilizes him. However, he will have to adapt, as some of his less grounded comrades will soon force a confontation.
Directed by Takashi Hirano, Kappei leans on a strong ensemble — Hideaki Ito, Moka Kamishiraishi, Daigo Nishihata — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2022.
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Dragon Cry is a magical artifact of deadly power, formed into a staff by the fury and despair of dragons long gone. Now, this power has been stolen from the hands of the Fiore kingdom by the nefarious traitor Zash Caine, who flees with it to the small island nation of Stella. Frightened that the power has fallen into the wrong hands, the King of Fiore hastily sends Fairy Tail to retrieve the staff. But this task proves frightening as a shadowy secret lies in the heart of the kingdom of Stella. Dragon Cry follows their story as they muster up all their strength to recover the stolen staff and save both kingdoms.
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