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Scotland Yard was perhaps the best-known series to emerge from Anglo-Amalgamated’s output of crime drama. Shot as cinema support features at the company’s Merton Park Studios in South Wimbledon, these half-hour thrillers – based on real-life cases from the vaults of London’s Metropolitan Police headquarters – were a successful regular feature in cinemas over nearly a decade from the early 1950s onwards. Like sister series Scales of Justice, Scotland Yard is introduced by celebrated writer and criminologist Edgar Lustgarten and presents case after intriguing case, with many solved onscreen by the redoubtable Inspector Duggan (played by Australian-born Russell Napier).
Directed by —, Scotland Yard leans on a strong ensemble — Russell Napier — to carry a story that balances spectacle with character.
The series landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1953.
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Brighton based Detective Superintendent Roy Grace is a hard-working police officer who has given his life to the job, but his career is currently at rock bottom. He’s fixated by the disappearance of his beloved wife, Sandy, and running enquiries into long forgotten cold cases with little prospect of success. Following another reprimand for his unorthodox police methods, Grace is walking a career tightrope and risks being moved from the job he loves most.
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