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Senkichi Mizuta, a pharmaceutical company employee, and Shuzo Kadokura, a war profiteer, are diametrically opposed in appearance and personality, but are best friends. Kadokura secretly loves Mizuta's wife, Tami, and both Mizuta and Tami are aware of it. The drama depicts the subtle relationship between the two men and the people around them against the backdrop of the times and customs of the early Showa period, in which both are aware of each other's love, but no one speaks of it.
Directed by Kuniko Mukoda, A-Un leans on a strong ensemble — Frankie Sakai, Naoki Sugiura, Jitsuko Yoshimura — to carry a story that balances spectacle with character.
The series landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1980.
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When a certain man is released from prison, he knows exactly where he's heading first. After falling in love with a traditional comic storyteller's rendition of the story called "Shinigami," he is determined to become his apprentice. The performer, Yakumo, has never taken an apprentice before, but to everyone's surprise, he accepts the eager ex-prisoner, nicknaming him "Yotaro." As Yotaro happily begins his new life, he meets others in Yakumo's life, including Yakumo's ward Konatsu. Konatsu was the daughter of a famous storyteller, and Yakumo took her in after her father's tragic death. Konatsu loved her father's storytelling, and would love to become a performer in her own right—but that path is not available for women.
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