Kelinzhan

A multigenerational, working-class family experience life's struggles with faith, love and, most importantly, humor. Curtis, aka 'Pops', the uncle and head of the household, has house and home turned upside down when an unexpected event forces his nephew, CJ, and CJ’s kids to move in, putting three generations under one roof. This chaotic living situation takes its toll on cranky Pops, who is reluctant to have his routine disturbed. In addition to CJ’s family, Pops and Ella’s son, Calvin, a wise-cracking, broke college student, hangs out at home, making it impossible for any peace and quiet. It soon becomes evident just how wide the gap is, as the family tries to find a way to coexist through all of life’s hilarious ups and downs.

A butler deals with life at the governor's mansion.

Hazel is an American sitcom about a fictional live-in maid named Hazel Burke and her employers, the Baxters. The five-season, 154-episode series aired in primetime from September 28, 1961 until April 11, 1966 and was produced by Screen Gems. The show aired on NBC for its first four seasons, and then on CBS for its final season. The first season, except for one color episode was in black and white, the remainder in color. The show was based on the popular single-panel comic strip by cartoonist Ted Key, which appeared in the Saturday Evening Post.

Part-American, part-Scandinavian death-metal band Dethklok has a lingering effect on its fans, who take the words seriously and do anything Dethklok lyrics say. The government fears the band's influence and sets out to destroy it by covert means; for example, by sending military pharmaceutical psychotropic drug manufacturers. Deemed sociopaths for tossing hot coffee at their concert attendees, two of the band members are alcoholics, and they all have self-esteem issues.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.

Tim Heidecker reviews the latest movies in theaters with a special guest.