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Directed by —, La Comédie-Française leans on a strong ensemble — — — to carry a story that balances spectacle with character.
The series landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1952.
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When Elvira’s editor informs her that she will be paid per article, she begins murdering people to avoid going broke. Her plans are shaken when she falls for the crime reporter.
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