The first film in Rudolf Thome's "Forms of Love" trilogy is the most incisive. It's a comedy-drame chronicling the ups and downs in the relationship of an unmarried couple (Adriana Altaras, Vladimir Weigl). When she tries to persuade him that they should have a child, he escapes the controversy by becoming preoccupied with his new aquarium and microscope. Their struggles to settle their differences and accept new responsibilities are presented intelligently, realistically and with low-key wit and irony.

An architect is assigned to modernize a squatted house in the Kreuzberg district of Berlin. But then he meets a young student who is member of a grassroots initiative trying to preserve the quarter. He falls in love with her, although this puts him into conflict with his job. Following his heart, the architect soon changes sides and supports the inhabitants in their struggle against the real estate speculators.

Loosely adapted from Goethe's novel on the social conventions of marriage raised to level of symbolic parable.

Hans Hummel abandons a South Sea paradise and returns to his old homeland to trace his deceased father's path in life. His father has not only bequeathed him a large house and valuable documents, but also a type of treasure map in the form of a computer with the corresponding program. While he is involved in this treasure hunt game, he meets up with seven women - the family in the neighbouring house, who support him both in a business as well as in a personal sense. But instead of delighting in his new found wealth, he trades money, gold and millions for happiness - just like in a fairy tale.