Ein Fall für zwei is a German television series, which premiered on September 11, 1981 on ZDF. The series, located in Frankfurt am Main, features two main characters who solve crimes: a defense attorney and a private investigator. Josef Matula, a former German police officer, has gone into private business. His method of investigation is very effective and direct, and he sometimes even resorts to dirty tricks. Claus Theo Gärtner has portrayed the role since the start of the series.

The film follows Kaspar Hauser, who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.

Germany in the 50ies: A love story between an eastern spy and a western secretary who detects him (and her love) ...

Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...

A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Taking place around the German reunification of 1990, a group of East Germans cross the border to visit West Germany and get slaughtered by a psychopathic cannibal family who want to turn them into sausages.

A drifting teen slips from petty crime into exploitation on the streets of Hamburg, courted by a self-serving journalist and a predatory pimp, before a doomed romance pushes him toward a desperate armed-robbery scheme he can’t outrun.

An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.

No synopsis available yet.

On 30 April 1945, dictator Adolf Hitler, his wife Eva Braun, and prominent members of the Third Reich live out their final hour in the Führerbunker.

Vicky, an out-of-work actress, struggling waitress and lesbian has her whole life thrown into turmoil when her father comes from Germany to visit. The main problem is that Vicky has told him she is a successful actress and happily married. She enlists the help of a gay friend to play her husband. Using a large range of characters—gay, lesbian, straight, transsexuals—the film creates a funny and touching view of family dynamics and sexuality.

A young German woman searches for happiness, liberation, and independence in the illusive wake of a transformative national recovery.

Jennifer, Tom and Maria like to have sex together and to rob banks when necessary. Action takes place in typical Bavaria.

An early declaration of war on narrative cinema, using a barrage of visual and acoustic elements while at the same time juggling ironically - as he still does - with the term 'avant-garde'. A number of other preferences and obsessions were evident at an early stage, e.g. the mind-numbing habit of having his people stumbling and screaming around: life as a race track. His films likewise feature a lot of theatrical and cryptic outpourings. No wonder that they failed at the box office. No wonder either, however, that Schlingensief was attracted to theatre.

A mockumentary - after suffering a tragic accident on a shoot in Tuscany, Udo Kier is about to die. Alfred Edel is sent in to film an obituary.

Günther, Michael, Barny and Franz, real Munich boys, want to make their own music: Rock 'n' Roll Bavarian-style. Will they go under or make it to the top?

A poignant film essay about 'superfluous people' facing up to a moment of crisis in their lives.