An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.

An Australian television soap opera, set in a tough fictional inner-city district called Westside. The stories revolve around the local community there. Created by Forrest Redlich and produced by Network Ten from 24 January 1989 to 13 May 1993.

Number 96 was a popular Australian soap opera set in a Sydney apartment block. Don Cash and Bill Harmon of the Cash Harmon Television production company, produced the series for Network Ten, which requested a Coronation Street-type serial, and specifically one that explored adult subjects. The premise, original story outlines, and the original characters were devised by David Sale who also wrote the scripts for the first episodes and continued as script editor for much of the show's run. The series proved to be a huge success, running from 1972 until 1977. Number 96 was so popular it spawned a feature film version, filmed in December 1973. Number 96 was known for its sex scenes and nudity, somewhat risque at the time, and for its comedy characters. The series was the first Australian soap opera to feature an openly gay character.

An American sketch comedy television program hosted by comedians Dan Rowan and Dick Martin.

Detective Cheng is commissioned by Interpol to destroy the Empire of Chaiba, a worldwide criminal organization based in Southeast Asia. He initiates an undercover operation to infiltrate the organization.

Taxi dancer Charity continues to have faith in the human race despite apparently endless disappointments at its hands, and hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Matt Lincoln is a television medical drama which was aired by ABC as part of its 1970-71 lineup. Matt Lincoln starred Vince Edwards as Dr. Matt Lincoln, a psychiatrist who had founded a telephone hotline for troubled teenagers. He also operated a free walk-in clinic to help the needy with their mental health concerns, in addition to a private practice which apparently paid the bills for the other two endeavors. The focus of the program centered around the helpline, where he was assisted by Tag and Jimmy, two "hip" young blacks; Ann, an attractive young white woman, and Kevin, a somewhat cynical police officer. The show's theme tune, "Hey, Who Really Cares" was written by Oliver Nelson and Linda Perhacs, and a full version of the song appears on Perhacs' legendary album Parallelograms. Unlike Edwards' previous medical drama, Matt Lincoln never developed much of an audience and was cancelled at midseason.

In WWII, Captain Invincible used his superpowers against the Nazis and was hailed as a hero. But when he was accused of treason, he retired to Australia in disgrace. Cut to the present, when a US super secret super weapon is stolen and he's asked to come back to the States in order to help stop evil and restore his sterling reputation. Unfortunately, Captain Invincible is a drunk now...

A con artist escapes a deal gone wrong in New York and winds up in the Aussie outback in a strange town whose inhabitants are an oddball collection of misfits.

"And Then They Forgot God" is set in a dystopian future, one in which the environment has suffered (people carry around breathing gear) and people must navigate extremely bureaucratic and rigid rules and procedures. Food is only available through the government, and only to those holding a monthly-issued card. Joe Campanella plays a husband who finds himself in desperate straits when his ration card is rejected because it was in poor condition when received. Despite an official policy that no one in that society goes hungry, Campanella's character receives no help.

The head of a psychiatric telephone hotline inspires his associates to get out of the office and into the streets to help people with psychiatric problems.

A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man's body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row.