The film takes us back into the times of the Second Bulgarian Kingdom - 13th century. The Bulgarian Emperor - Tsar Ioan Assen - is trying through several marriages to enlarge the State and to support the peace in it.

The rich villager Yuftalana discovers that someone has broken corn from the cornfield. By chance he sees the thief - a child of a poor man. Blinded by rage, Yuftalana kills him with a stone...

A limited series focusing on the life of Vasil Levski and the Bulgarian fight for independence from the Ottoman Empire.

At the end of 13th and the beginning of the 14th century twenty-four-years old, Prince Svetoslav Terter takes the helm of the state. The young Prince engages in a intricate political game, into getting his way by means of court intrigues, and is forced by circumstances. Svetoslav Terter is remarkably shrewd and consistent. He is perhaps the only head of state at this time to take the liberty of impeaching the primate of the country's church. He tries to rally the neighboring Slav people to a joint resistance to the Turkish conquest. Terter lives through a great personal tragedy. He becomes estranged from his dearest person, Mariya, who is too weak to join him on the difficult road of his choice. (written by Georgi Djulgerov)

The film is based on the memoir 'In the name of the People' by Mitka Grybcheva, an activist in the anti-fascist resistance. The action takes place during the WWII and reveals the sharp clash between police power and resistance forces, headed by the Communist Party of Bulgaria. This is a time when, 'in the name of the people', the fighters are setting up underground combat groups, which punish with death their political opponents. The film's characters are specially trained for the purpose young people, members of one such combat group. Against the background of their risky task, in the execution of which they have to pay with their own lives, every facet of their characters stands out. Faced with death they reveal their intimate worlds, their unrealized youthful impulses that have been sacrificed in the name of commands, disparate from the Ten Christian Commandments.

In September 1923, during the so-called 'anti-fascist' uprising, police chief's daughter Kita falls for a student with communist beliefs. Although loyal to the monarch, her father's paternal instinct force him to compromise but his retaliation against the rebels takes a devastating turn.

The days of antifascist fight are over. In an orphanage for gifted children lives Milcho. The music helps him to escape from the real world to the world of memories. He remembers the days that the police officer arrested his mother for hiding a fugitive. A bright mark has left people that Milcho met, looking for his mother: the good old musician, the gypsy Shukri - raw natural talent, the beautiful Mila, and the Poet. They help Milcho to live through his pain. A piano concert of Brahms is playing by the young artist.

In late 19th century, a carver-cutter arrives in a little town to make the iconostasis of the newly built church. He is being accommodated in the house of a respected family. He is working slowly because of his love for the daughter of his hosts. They resist in every possible way and pay a high price: Their daughter dies. Though in despair, the master completes the iconostasis: a masterpiece the locals perceive as a heresy. And he leaves once again without any destination.

Shooting of a picture: to those, familiar with only from the screen, it is a entertainment. So, in a quiet Sofia street, a shooting crew starts their work. Bypassing begin to throng, curious people are looking out of the windows of the surrounding buildings. A scene is being shot of s short dialogue between the protagonists. It goes wrong all the time and is never complete. The mess gets beyond the comical, the true relations between the members of grew show and they do not look that excellent. At long last, the final scene is shot and the street is quiet again.

Good Night, Lily! is the deepest confession in the last days of Dora’s life. At the threshold of death, Dora goes through her disappointments, unfulfilled dreams and moments that she didn’t allow herself to live to the fullest.