Plagued by strange memories, Neo's life takes an unexpected turn when he finds himself back inside the Matrix.

The film goes behind the scenes of the 1999 sci-fi movie The Matrix.

A promotional making-of documentary for the film The Matrix (1999) that devotes its time to explaining the digital and practical effects contained in the film. This is very interesting, seeing as how they're giving away the cinematic secrets that they created solely for the this movie, that have now been spoofed and referenced in countless other films.

The making of Matrix Revolutions, The (2003) is briefly touched on here in this documentary. Interviews with various cast and crew members inform us how they were affected by the deaths of Gloria Foster and Aaliyah, and also delve into the making of the visual effects that takes up a lot of screen time. Written by Rhyl Donnelly

This making-of piece offers the standard mix of movie snippets, behind the scenes materials, and interviews from cast and crew on the making of the film.

This thirty-minute documentary follows the Wachowski sisters and the film's crew through production on the film's famed highway chase sequence. We get interviews with the visual effects supervisors, the stunt coordinators and even are taken through aspects of pre-production and planning for the scene. Then the documentary moves into production, the scariest aspect of which is certainly Carrie Anne-Moss trying to learn to ride a motorcycle good enough to do so safely without helmet for the scene. We also watch as the stretch of freeway used in the film is being built.

A look at the stunts of The Matrix Revolutions

The special effects of the Agent Smith scenes in Matrix Revolutions

Documentary on the making of 'Speed Racer.'

A featurette about the special effects of The Matrix Trilogy

This making-of piece includes remarks from production designer Owen Paterson, concept artist George Hull, visual effects supervisor John Gaeta, US unit production manager L. Dean Jones Jr., US model unit special effects coordinator Geoffrey Heron, Zion unit sequence lead Rodney Iwashina, high speed first assistant camera Paul Sanchez, US model unit art director Nanci Noblett, conceptual designer Geofrey Darrow, model shop supervisor Michael Lynch, US model unit producer David Dranitzke, prop maker foremen Dave Fogler and Fon Davis, and visual effects supervisor John "DJ" Des Jardin.

A look at Enter the Matrix: The game's story picks up just before The Matrix Reloaded and runs parallel to that of the film. Bend the rules of the Matrix with martial arts, pilot the fastest hovercraft in the fleet, or just fight with lots of guns.

Special Effects wizard John Gaeta demonstrates how the "Bullet-Time" effects were created for the film The Matrix (1999).