Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Sachiko Hanai is a call girl. One day she is caught up in a gunfight and is shot in the forehead. Instead of killing her, the bullet in her head gives her psychic powers. She also accidentally comes into possession of a cylinder containing George W. Bush's finger, whose fingerprint is designed to launch a nuclear missile, and international spies are soon chasing her.

Spread over three time periods (Summer 10 Years Ago/Summer 5 Years Ago/This Summer), Lost Virgin tells the tale of good-time girl Chisato (Sasaki), hungry for new experiences yet ultimately in search of emotional fulfilment.

Documentary about the crazy cinephile Atsushi Tsuboi, vice president of the Nagoya art theatre "cinemaskhole".

Japan and Korea have had a troubled relationship over the centuries, and discrimination against Korean residents in Japan has been legendary. But how important is the issue of race to a younger generation born and raised in the country? Tetsuaki Matsue, a third-generation zainichi attempts to get to grips with the issue of his own national identity in this autobiographical video documentary made as the then 21-year-old director's graduation project from the Japan Academy of the Moving Image. (Midnight Eye)

Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2009, in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”

Daisuke and his girlfriend have failed at selling a smelly health drink named Akajiru in Tokyo, amassing five million yen in debts. In order to recover financially, they retreat to Daisuke's island hometown.