The invasion of an alien race known as the Oni begins a new life for Ataru Moroboshi, a lecherous trouble-making tenth grader in the small town of Tomobiki. After unwittingly proposing to the Oni princess Lum Invader instead of his sweetheart Shinobu, Ataru becomes a conduit for aliens arriving on Earth, causing all sorts of havoc for him and his companions, not to mention his own reputation!

A legendary television series and cultural asset, Mr. Kinpachi in Class 3B is famous for putting many social issues on the front burner of the public conscious over its long run, as filtered through the emotionally volatile lives of third year middle school students. The heartfelt relations between a devoted schoolteacher, Kinpachi Sakamoto, and his unique students have won the show high praise for several decades. Whether due to the pressures of exams, family relations, teachers and friends, graduating middle school students navigate a turbulent hormonal sea of “hope” and “frustration”, constantly shaped by the social environment of the times. Standing as a beacon in the storm and emitting messages of hope for each generation is one Japanese teacher, Kinpachi Sakamoto, who has come to be adored and admired by a nation through the adventures of Class 3B.

Two sisters move to the country with their father in order to be closer to their hospitalized mother, and discover the surrounding trees are inhabited by Totoros, magical spirits of the forest. When the youngest runs away from home, the older sister seeks help from the spirits to find her.

Dr. Shindo seems cold, but is a competent surgeon. He is also an ER doctor capable of accurate decisions and treatment, who always tries to see things from the patient’s side. Although once retired from his profession, he one day discovers someone in need of help, who he treats and rushes to the Kohoku Medical University Emergency Center. This incident encourages him to once again work as an ER doctor. Confrontation erupts between female doctor Tamaki, and Shindo, now a just-arrived ER doctor. While this human drama depicts the relationships among doctors and nurses, it appeals emotionally to viewers on the subject of life.

Shomuni, that's the common name given to General Affairs Section 2 of a trading company. Here are six women who have ended up in this department known as "the dump" for office ladies. But Chinatsu Tsuboi (Makiko Esumi) declares that the value of woman is equal to the number of men. With her as the central focus they create a totally new type of office lady drama that does away with those heartless men still caught up in worn-out social ideas and the class system within the company.

No synopsis available yet.

A young boy and a girl with a magic crystal must race against pirates and foreign agents in a search for a legendary floating castle.

11 mysteries, 11 actors. Japan's favorite mystery author, the world of Higashino Keigo comes to life on screen through an assortment of short stories.

Come Come Everybody is a Japanese television drama series and the 105th NHK Asadora series, following Okaeri Mone.. It depicts the lives of three generations of women who have close links to the English lessons on radio which began in 1925.

In the early Showa era, the town of Choshi in Chiba Prefecture was divided by the conflicts between the worlds of "land" and "sea". Born to Kyubei Bando, the owner of a long-established soy sauce brewery, and his mistress Rui, Kaworu was taken in by her father and raised as a prim and proper lady. As she grew up, she fell in love with Sokichi, the eldest son of an established fisherman; alas, their two families were in conflict. This is a story of pure love between two people that grew beyond the boundaries of the old customs that they were brought up with. It is a drama that depicts their turbulent journey of love and the bonds of the people from an old and established family working tirelessly to protect their naturally brewed soy sauce business through the ups and downs.

Forced out of his research group after conflicts with his colleagues, Ogawa Takanobu takes up an offer to teach at a girls' high school in Nara. When taking roll call on the first day one of his students, Hotta Ito, sneaks into class late, claiming a bogus excuse--that she got a ticket after trying to park her deer in front of the train station.

The chronicles of Sakamoto Ryoma, a pre-revolutionary who helped shape the face of modern Japan. In order to study swordsmanship, Ryoma heads for Edo where he meets many people who influence his thinking. He becomes close friends with men like Katsu Kaishu and Saigo Takamori and later establishes a naval training school in Kobe. Ryoma's controversial political views make him a target for shogunate assassins but his fervent belief in a classless society helps forge the Choshu-Satsuma alliance which ultimately brings about the Meiji Restoration.

The Yomota family is small and typical: father Kinekuni (42), mother Tamiko (38), and son Inumaru (17). One day, a beautiful girl appears at their front door, calling herself "Maroko Yomota," granddaughter of Inumaru who travels back in time with a time machine to visit her ancestors. Despite of Tamiko's strong objection, Kinekuni and Inumaru welcome her to stay with them, and the structure of a happy family has begun to collapse.

A proud young calligrapher is punished for punching a critic by being sent to a faraway island in the east coast of Japan. But as he meets and lives with the island's friendly people, his attitude begins to improve.

Freeter, Ie wo Kau is a Japanese television drama series that aired on Fuji Television and on Kyodo Television in 2010. The story revolves around Take Seiji, who quits his job after three months. With no dreams, no savings, and a poor relationship with his family, he becomes a hikikomori. However, after his mother falls ill with depression, he ends up having to take on a part-time job at a construction site. Because of that, he soon decides to work towards rebuilding his life: "Even though I'm just a freeter, I'm going to buy a house for the sake of my family." One of the people he meets at the construction site is Chiba Manami, who graduated from a top-class university and joined a well-known general contracting firm. Manami is the complete opposite of Seiji. But while their personalities clash at first, they gradually come to understand each other. --Tokyograph

Kozue Ogawa is a housewife and has been married to Hideo for seven years. They don't have any children, but as they live with her parents at their flower shop, every day is still lively. She is happy with her life and her husband, but she wonders if it is enough. From time to time, she is gripped by this doubt that she cannot raise with anyone. Kozue starts a part-time job in the editing department of the magazine where she used to work. Her former colleague is now working hard as the editor-in-chief. One rainy day, Kozue meets a young man. He is Takuma Fukazawa, a high school student. He seems somehow shrouded in sadness. He is a dance teacher. In the dance studio, there is just the two of them. Takuma curls his hands around Kozue's body, and his dance instruction begins. Their unexpected closeness causes Kozue to hesitate. With her heart pounding, she pushes Takuma's hands away and runs home. But the throbbing in her chest continues. It can't be. But what is this feeling?

Sasai Memorial Hospital has a good reputation for its sincere care for patients. However, holding up a strong policy of 'customer first' has put doctors into uneasy circumstance where they have to deal with 'monster patients,' unreasonable complainers. The drama depicts doctors' growth and struggle experienced in the severe situation of the present healthcare industry.

A rich, handsome businessman, Hokuto, proposes marriage to Chiwa, whose father has a large debt. Hokuto apparently has a secret reason for marrying Chiwa. Will this marriage work out?

No synopsis available yet.

Kishibe Midori (Ikeda Elaiza), an editor for a popular fashion magazine, finds herself transferring to the lexicography division following the magazine's discontinuation. The place is filled with a group of quirky characters, led by Majime Mitsuya (Noda Yojiro), a boss with a shaggy hair who is extremely serious. While being tossed about by them, Midori is influenced by their patience and passion for making a dictionary which takes over a decade, and she gradually immerses herself in the work. This drama depicts their struggles in creating and finalizing the dictionary, "The Great Passage."