An American soldier is wounded in Israel and slowly begins to lose his sight while hospitalized.

Based on a short story by Abraham B. Jehoshua, the movie follows Eli (Oded Kotler) taking care of an old girlfriend's child for three days. He wants him to get hurt, he worries about him. Will the child survive the three days? Will Eli?

several parallel plotlines set on the eve of the Six-Day War. The stories play out concurrently as a way of conveying the reality of life in Israel, where the national and political are forever invading the individual’s space.

Killing as many commies as he can is the goal of a hatred consumed private in the Israeli Army. The memory of his torture in a Russian mental hospital has driven him to revenge. Persuading his friends and lovers to join him in his quest, he sets out on a mission of blood and vengeance. Sigourney Weaver stars as the brave woman who must love and trust a madman.

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

An adaptation of a popular Israeli stage musical. Kazablan is an army veteran turned gang leader in the Israeli port of Jaffa who masks his feelings of bitterness with a lot of bravado. He's sweet on Rachel, a young woman who lives with her father and stepmother. The budding relationship scandalizes the neighbors (not to mention Rachel's parents) and infuriates Yanush, a middle-aged shoe store owner who wants Rachel for himself. (Yanush feels he's entitled to marry Rachel since they're both Ashkenazi Jews of Eastern European origins, whereas Kazablan is a Sephardic Jew from Morocco.) The neighborhood has something else to worry about besides the antics of Kazablan and his gang: the city wants to tear down their crumbling homes. The residents pool their resources to save their houses, but the money that's collected is stolen. When he's jailed for the theft, Kazablan must find a way to clear himself.

At the end of World War 2, a Nazi escapes arrest by assuming the identity of concentration camp victim. 20 years later, he is threatened with exposure. The only way out would seem to be murder. Hour of Truth was lensed largely on location in Israel.

Candles, tears of crying women, memories: that is how the film In Thy Blood Live begins. David Perlov's camera travels over photographs, focuses on faces that are no more, as in a gesture of parting. The history of the Holocaust is revealed in this film in a condensed, intensive way: first the memorials for the victims throughout Israel, and only then the beginning of it all - the rise of the Nazi regime, the Ghetto with its hunger and death, but with its music and theatre too, the uprising, the death camps; and it ends with the trial of Adolf Eichmann, one of the chief architects of the genocide. The music of Oedoen Partos, blending Jewish, Israeli and European motives, helps portray in sounds that lost world which now belongs to memory alone

A kind-hearted, liberal and person-loving orthopedic doctor is about to purchase a new apartment for his son and daughter-in-law. While visiting the building site, he steps on excrement left in the living room by the laborers locked up for the night. He can't get rid of the smell in any way and falls into the terrible crisis of his life...

Robert Hirsch impresses as he takes on 11 different roles in Alex Joffé's comedy about the six sons of a recently deceased Jewish Casanova. To receive their inheritance, the sons must convene in Israel and recite a Kaddish (memorial prayer) for their dad. But planning the gathering is no easy feat. The film's title is based on the nonobservant son's futile attempts to contact his siblings on the one day when working is forbidden by Jewish law.