32 renowned Brazilian screenwriters of the contemporary Brazilian cinema talk about their creative processes. From the concept of script to their agreements and disagreements, going through their experiences with filmmakers, their reaction to the finished film, critic, and even controversies on auteurism.

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No synopsis available yet.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Yesterday, the inhabitants of the Nordeste had to abandon their land for lack of water. Today, floods are driving them out... Deprived of their roots, the people continue to remain faithful to their traditions and beliefs, while progress is imposed by the power of money.

A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.

The adventures of a gang of thieves and murderers led by violent Caveirinha. A radical disruption proposal from the postulates of the Cinema Novo, a film with a loose narrative structure. Through the actions of a group of outlaws, the director sews in scenes that propose iconoclasm and elation as forms of opposition to the military dictatorship oppression.

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O AMOR DENTRO DA CÂMERA is an essay documentary that tells the story of Conceição and Orlando Senna, pioneers of Audiovisual, who live a romance of almost 60 years, crossed by the History of cinema and Latin America. Intimate and metalinguistic, portrayed in the warmth of the home and through archival materials, when telling a love story, it takes us through the cinematographic and political networks that have woven across the continent.

In 1996, filmmaker André Luiz Oliveira started preproduction of Viva o Povo Brasileiro, a film adaptation of the novel by João Ubaldo Ribeiro. Principal photography went on for nine years, but the production was shut down after a series of unfortunate events. This documentary retells that story, repurposing the fictional footage and chronicling the work both in front and behind the scenes.

Since the 1970s, Roberto Pires has militated against the use of nuclear energy. For that, he went looking for the biggest Brazilian name in this subject, César Lattes, professor of Nuclear Physics at UNICAMP. Believing that nuclear energy could, in the long run, extinguish human life. With the collaboration of Orlando Senna, he writes the screenplay for the film “Abrigo Nuclear”, an ambitious production, science fiction film entirely produced and shot in Bahia. With little money, armed with his creative ability, Roberto builds a 'spaceship' and a studio in the backyard of his house. He calls children, relatives and friends and begins production on “Nuclear Shelter”, which is released in 1981. With statements by Orlando Senna, Laura Pires, Nonato Freire, among others, the documentary "Bahia SCI-FI" intends to explore the universe that surrounded Roberto Pires, Bahia and the possible nuclear war of the late 1970s and early 1970s. 1980.

70 years ago, a visionary management in education and culture as a political strategy for the dissemination and development of Bahia gave rise to an artistic vanguard that still impacts Brazilian culture today.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."

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The naive sailor Ron arrives in Bahia to visit the famous Água dos Meninos street market. There, however, he is passed behind by the prostitute Maria, lover of the bandit Chico Diabo, who stabs him. He, however, can't forget her.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.

A gunman is hired to kill a corrupt politician. However, the agreement is canceled. Despite being a hired killer, the man takes his job seriously and prefers to go to the end.

A girl from the countryside goes to the city of Belém to take part in the Círio de Nazaré celebrations. Led to prostitution, she wishes to move to the wealthiest Southeast region of Brazil. In a dance club, she meets a truck driver that transports wood. Dreaming with the big city, she asks for a ride, and the two begin a journey through the Trans-Amazon road. In tension with the Brazilian military authorities of the time, the film registers several aspects of the Amazon social tragedy – forest fires, slave work and child prostitution. Awarded in several international festivals, the film was forbidden by Brazilian censors. It was only released years later, winning the Brasília Film Festival in 1981.

A behind-the-scenes look at the making of Glauber Rocha's 1980 production "A Idade da Terra" (The Age of Earth), including unedited clips taken from the sixty hours of recovered raw footage.