The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

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No synopsis available yet.

Behind the red gates lies Dyrehaven with the green beeches and the famous zoo hill - the motley world of clowns. Professor Labardi is behind the popular singer pavilion, where his young daughter, Gulnare, performs. After a rainy summer, there is an economic low tide on Bakken, and the family is tempted to seek help from Gulnare's enterprising suitor, Carlo Petersen. But Professor Labardi carries a secret: the clown family has family ties to the fine legal world outside the gates. There is conflict, money transactions, love, hypocrisy and villainous streaks when the fine world and the hill folk meet. Behind the Red Gates is a terrific folk comedy that takes us behind the attractions at the traditional amusement park in Klampenborg.

One Big Family is a Danish television series in 12 episodes, first broadcast in 1982-1983. The series was directed by Bent Mejding, while the script was written in turns by Lise Nørgaard, Paul Hammerich and Jane Aamund. The series is produced by Nordisk Film for Danmarks Radio.

In the residential area stands the apartment building Kikkebakke, home to a motley crew of residents. Among them are the grumpy Gniske and Mrs. Vivaldi with her spaghetti machine. At Father Alfred's house, the kitchen is a hive of activity when it's time to do the dishes—so why not invent a clever machine that can do it? Kikkebakke Boligby is also home to Freddy, Carla, Skorstens-Per, Mrs. Brand, Mr. Matrikelhys, and businessman Sommer, who behind closed blinds becomes the muscle man Mr. Pølzenmuskel!

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No synopsis available yet.

Copenhagen around the turn of the century - December 29th, 1899. Great merchant and shipowner Jacob Friis is one of Copenhagen's richest men. His home is the gathering place for family and friends. Since his wife's dead 10 years earlier, he shares sense of family and business acumen with his three daughters. Jacob wants to find a nobleman for his daughter Emily. Baron Claes is a very charming gentleman, but also a great womanizer...

Werner (William Rosenberg) is an inspector for group of farmes called Digeskov. Left alone by Digeskovs owner, Werner is tricking small neighboring farmes out of there land. The owners doughter find out and stops Werner and she falls in love with a young poor farmer from a neighbor farm.

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No synopsis available yet.

In her husband's opinion, Nora spends too much money. When Nora receives a visit from Mrs. Linde, she confides a secret to her. Nora has borrowed money so that the family can go on vacation. However, her husband must not find out. Helmer has become the director of the bank where Krogstad works. Krogstad now threatens Nora to reveal her secret. Nora goes through a lot of anguish.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

In the village Karrild, the Countess Sonia Hardenborg and a young unmarried woman, Marta, give birth to a daughter on the same day. Marta dies after birth, so Marta's daughter, Betina, come under the care of the countess. 17 years later, Betina and Countess Sonia's daughter, Maria, meet, as Betina is living in a home for orphaned girls, which is adjacent to the Hardenborg estate. The two girls become friends, and Maria invites Betina to visit her at Hardenborg, to greet her parents Sonia and Otto Hardenborg and her brother Count Flemming. Meanwhile, Betina's father, Frank Jensen, starts working in the estate's woods, and when the two girls come to visit him, he is shocked by the resemblance between the young countess and Betina's mother Marta.

A gentle comedy offering the promise of easy social consensus. Harry (Helmuth) is a simple old-time shop porter offered a chance at self-realisation when he's bequeathed a sum by an unknown relative (via several levels of fiscal blood suckers). He decides to engage a butler to take good care of him for a time. This is a man of distinguished upper class service, but a generous nature which happily integrates with Harry's small but colourful world of drinking buddies and crackpot neighbourhood kids.

Sometime in the 1700s, Mikkel, a farmer from Jutland, wants to marry off his daughter Cecil to the wealthy Mads Egelund, but she is in love with the haberdasher Esben. Mads proposes, but does not receive a definitive answer. Shortly afterwards, Esben leaves for Holsten on business, and Cecil vows to wait for him. A couple of years pass. After an attempt to force Cecil to marry Mads, she is now in a state of insanity. Esben returns home happy and prosperous, but Cecil does not recognize him and, in a fit of madness, she cuts his throat during the night. Some time passes and Cecil regains her sanity. She does not know what she has done and is still waiting for Esben. Mads comes to visit, and after Cecil has rejected yet another marriage proposal, he reveals the truth to her, and with a wild scream she falls back into insanity.

A spicy comedy in episode form. We follow a young couple's problems with eroticism at different times and in different environments. The episodes: On Vesterbrogade. In Tivoli. At a castle in 1740. Around a balloon in 1820. On the train in 1890. At the bathhouse in 1900. At a hotel in 1910. In an apartment in 1925. At a tavern in 1932.

Once upon a time, there was a family consisting of the artist Michael, his wife Lydia, and their son Peter. But the couple divorced, and Lydia, who later married a wealthy businessman who left her so much money when he died that she is now financially independent, now lives in a charming country house, where her old, faithful factotum, Josse, rules the roost.