The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

The High-Sierra adventures of Ben Cartwright and his sons as they run and defend their ranch while helping the surrounding community.

Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

The series initially starred veteran movie supporting actor Ward Bond as the wagon master, later replaced upon his death by John McIntire, and Robert Horton as the scout, subsequently replaced by lookalike Robert Fuller a year after Horton had decided to leave the series. The series was inspired by the 1950 film Wagon Master directed by John Ford and starring Ben Johnson, Harry Carey Jr. and Ward Bond, and harkens back to the early widescreen wagon train epic The Big Trail starring John Wayne and featuring Bond in his first major screen appearance playing a supporting role. Horton's buckskin outfit as the scout in the first season of the television series resembles Wayne's, who also played the wagon train's scout in the earlier film.

Richard Kimble is falsely convicted of his wife's murder and given the death penalty. En route to death row, Kimble's train derails and crashes, allowing him to escape and begin a cross-country search for the real killer, a "one-armed man". At the same time, Dr. Kimble is hounded by the authorities, most notably dogged by Police Lieutenant Philip Gerard.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Wild Wild West is an American television series. Developed at a time when the television western was losing ground to the spy genre, this show was conceived by its creator, Michael Garrison, as "James Bond on horseback." Set during the administration of President Ulysses Grant, the series followed Secret Service agents James West and Artemus Gordon as they solved crimes, protected the President, and foiled the plans of megalomaniacal villains to take over all or part of the United States. The show also featured a number of fantasy elements, such as the technologically advanced devices used by the agents and their adversaries. The combination of the Victorian era time-frame and the use of Verne-esque style technology have inspired some to give the show credit for the origins of the steam punk subculture.

The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Henry Garth, the Grainger brothers, and Colonel Alan MacKenzie. It is the setting for a variety of stories, many more based on character and relationships than the usual western.

A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

The Bradley family are proud owners of the Shady Rest Hotel. Kate and her three young daughters do the job of running the hotel.

Wanted: Dead or Alive is an American Western television series starring Steve McQueen as the bounty hunter Josh Randall. It aired on CBS for three seasons from 1958–61. The black-and-white program was a spin-off of a March 1958 episode of Trackdown, a 1957–59 western series starring Robert Culp. Both series were produced by Four Star Television in association with CBS Television. The series launched McQueen into becoming the first television star to cross over into comparable status on the big screen.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

The Outer Limits is an anthology tv series of self-contained sci-fi-horror stories, sometimes with a plot twist at the end.

Gomer Pyle, U.S.M.C. is an American situation comedy that originally aired on CBS from September 25, 1964, to May 2, 1969. The series was a spinoff of The Andy Griffith Show, and the pilot was aired as the finale of the fourth season of The Andy Griffith Show on May 18, 1964. The show ran for five seasons and a total of 150 episodes. In 2006, CBS Home Entertainment began releasing the series on DVD. The final season was released in November 2008. The series was created by Aaron Ruben, who also produced the show with Sheldon Leonard and Ronald Jacobs. Filmed and set in California, it stars Jim Nabors as Gomer Pyle, a naive but good-natured gas-station attendant from the town of Mayberry, North Carolina, who enlists in the United States Marine Corps. Frank Sutton plays Gomer's high-octane, short-fused Gunnery Sergeant Vince Carter, and Ronnie Schell plays Gomer's friend Gilbert "Duke" Slater. Allan Melvin played in the recurring role of Gunnery Sergeant Carter's rival, Sergeant Charley Hacker. The series never discussed nor addressed the then-current Vietnam War, instead focusing on the relationship between Gomer and Sergeant Carter. The show retained high ratings throughout its run.

This show started in New York City, with Broadway actors and actresses. It then moved to Hollywood, California, where Hollywood actors and actresses headed the cast.

The Gene Autry Show is an American western/cowboy television series which aired for 91 episodes on CBS from July 23, 1950 until August 7, 1956, originally sponsored by Wrigley's Doublemint chewing gum.

Twenty-year veteran Detective Sergeant Sam Stone is paired with rookie Briggs in a large Western metropolis.

The DuPont Show with June Allyson is an American anthology drama series which aired on CBS from September 21, 1959 to April 3, 1961 with rebroadcasts continuing until June 12, 1961. The series was hosted by actress June Allyson.

Annie Oakley was an American Western television series that fictionalized the life of famous sharpshooter Annie Oakley. It ran from January 1954 to February 1957 in syndication, for a total of 81 black and white episodes, each 25 minutes long. ABC showed reruns on Saturday and Sunday daytime from 1959 to 1960 and from 1964 to 1965.

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.