"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum

A shady motel manager becomes obsessed with a neglected wife.

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life. McDowell was dying from AIDS-related illnesses during the production of the diary. “An elegy for McDowell, the videowork captures Kuchar’s mournful remembrances of his long-lasting friendship with the young filmmaker. But it also has the inquisitive charm, perverse humor, and quirky candor that places Kuchar’s visual expressions in a gritty niche all their own.”

"Just as outrageous is Curt McDowell's CONFESSIONS. McDowell, a graduate student at San Francisco Art Institute, opens his film with a confession to his mother and father, listing in exhausting detail his sins of the flesh."

A real and favorite dream of mine, preserved on film to be relived over and over.

Starring George Kuchar as "Hunk", Mrs. Ruby B. Davis as "Aunt Ruth", and introducing Melinda McDowell as the much-abused, sex bomb "Goldenrod".

An hour-long saga of Mick Terrific, rock 'n' roll star, and the cast of 50 he encounters on his search for "Mr. Wonderful." “PEED INTO THE WIND smears across the screen like one of those dirty underground comic books. It’s loaded with a lot of big scenes and unusual looking people that make this epic resemble a clogged toilet. Unfortunately, since several of the performers were not as loyal as Ainslie Pryor and John Thomas, the plot is difficult to follow but in no way hinders the sewer-like sequences. It’s quite enjoyable and possesses the releasing power of an enema.” –George Kuchar. Preserved by the Academy Film Archive in 2016.

A little talent show.

A musical for the whole family. A rural operette starring Ainslie Pryor and Geore Kuchar, told through song and rhme.

Ainslie Pryor in two miniature dramas, utilizing wind sound effects, canned laughter, and "I Love Lucy" lighting.

Ted Davis is everyone's favorte Master of Ceremonies for the following performances: Peckernose Act, The Cooking and the Washing Act, Spin Your Little Clothes Off Act, Tea Break, The Spinning Nuns, Balancing Prick Act, The Dirty Hummers, Spanish Dancer Act, The Whora, Picking a Winner, The Poop Chute Act, Waiting and Worrying Nude Act, The Tapping Tennis, The Disappearing Milk and Sandwich Act, The Flower Magician, Fart Chorus, The Whirlwinds, The Paper Bags on the Heads Act, The Belly Dance, Cheek to Cheek, Head Job Act, Tweeting Prick Act, Fanny Dancer, Back Words Act, Betsy the Cussing Doll, And… The Singing Twat

Two brothers are stood up and lament through song. Preserved by the Academy Film Archive in 2015.

A San Francisco bohemian deadbeat sits around his apartment and fantasizes about women.

An eccentric and alcoholic widow hosts a motley assortment of travelers - four men, three women and one gorilla - who arrive one eventful night to get out of a torrential rainstorm.

Memories of Eve's childhood torment slowly give way to the optimism of young adulthood, and a chance at happiness with successful DJ Frank Paradise, but everything changes in a near-fatal instant when a car crash leaves her disfigured. While her new face emerges and her scars start to heal, the chains of conformity begin to strain as she learns the value of overcoming her deep-rooted guilt and repression.