The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

The High-Sierra adventures of Ben Cartwright and his sons as they run and defend their ranch while helping the surrounding community.

The Red Skelton Show is an American variety show that was a television staple for two decades, from 1951 to 1971. It was second to Gunsmoke and third to The Ed Sullivan Show in the ratings during that time. Skelton, who had previously been a radio star, had appeared in several motion pictures as well. Although his television series is largely associated with CBS, where it appeared for more than fifteen years, it actually began and ended on NBC. During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961.

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually crime fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon often calls with the latest emergency threatening Gotham City. Racing to the scene of the crime in the Batmobile, Batman and Robin must (with the help of their trusty Bat-utility-belt) thwart the efforts of a variety of master criminals, including The Riddler, The Joker, Catwoman, and The Penguin.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz, who also happen to be their best friends.

Jed Clampett's swamp is loaded with oil. When a wildcatter discovers the huge pool, Jed sells his land to the O.K. Oil Company and at the urging of cousin Pearl, moves his family to a 35-room mansion in Beverly Hills, California.

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

It's a bird! It's a plane! It's a syndicated TV adaptation of the beloved DC Comics superhero! You know the drill: When he isn't fighting for truth, justice and the American way, the man in tights dons a suit and glasses for his secret identity as Daily Planet newspaper reporter Clark Kent, who works alongside friends Lois Lane and Jimmy Olsen for gruff boss Perry White.

In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.

Telephone Time is an American anthology drama series that aired on CBS in 1956, and on ABC from 1957 to 1958. The series features plays by John Nesbitt who hosted the first season. Frank C. Baxter hosted the 1957 and 1958 seasons. The program was directed by Arthur Hiller.

The Real McCoys is an American situation comedy co-produced by Danny Thomas' "Marterto Productions", in association with Walter Brennan and Irving Pincus' "Westgate" company. The series aired for five seasons on the ABC-TV network from 1957 through 1962 and then for its final year on CBS from 1962 to 1963. The series, set in the San Fernando Valley of California, was filmed in Hollywood at Desilu studios.

Riley worked in an aircraft plant in California, but viewers usually saw him at home, cheerfully disrupting life with his malapropisms and ill timed intervention into minor problems.

Hazel is an American sitcom about a fictional live-in maid named Hazel Burke and her employers, the Baxters. The five-season, 154-episode series aired in primetime from September 28, 1961 until April 11, 1966 and was produced by Screen Gems. The show aired on NBC for its first four seasons, and then on CBS for its final season. The first season, except for one color episode was in black and white, the remainder in color. The show was based on the popular single-panel comic strip by cartoonist Ted Key, which appeared in the Saturday Evening Post.

A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

Wilbur Post and his wife Carol move into a beautiful new home. When Wilbur takes a look in his new barn, he finds that the former owner left his horse behind. This horse is no ordinary horse . . . he can talk, but only to Wilbur, which leads to all sorts of misadventures for Wilbur and his trouble-making sidekick Mister Ed.

Danny Thomas, an entertainer, tries to balance his home life with the needs of his career, with hilarious results.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.