A popular bandit, Morad, is robbing trade caravans. During a fight with another bandit, he has been rescued from death by the rural family. He takes a profound challenge in his life with these villagers.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

Sarbedaran is a historic series based on the revolt of the 'Sarbedar's of Khorasan, led by Sheykh Hasan Jowri against the Mongol Conquest of Iran. The director of this series is Mohammad Ali Najafi and it is written co-directed by Keyhan Rahgozar. Parts of this series also refer to the previous leader and the pioneer of the movement, Sheykh Khalifa of Mazandaran.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection due to deep regrets regarding the child whom she has abandoned.

Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.

The story is about two poor boys’ search for their father through a Journey from downtown to uptown. Two hungry boys are forced to move through the events, people and unrealistic and risky places in a nightmarish way. A daily journey in search of their lost identity and worth!

One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...

Ali and his father go from their poor neighborhood in the outskirts of the city to a hospital so that Ali's father can be treated for his sickness. However since they have no money, Ali starts to work for Dr. Sameri who deals in blood.

One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...

A young playwright and director wants to write and perform a historical drama about faith in the Ashkani period of Iran. There is an incongruity between the man's personal life, and his quest to pursue and present history. The woman who lives with him believes he should not neglect their relationship when embarking on such a quest. The people who work with the playwright believe the play ought to be made popular to satisfy the public. Finally, this matter makes the playwright perform the play all by himself.

Mohammad Javad Halimi is a simple government's employer who manages after years to buy a house for himself outside the city's limits. But in the second night in his new house a thief is coming to his house. He manages to catch the thief but delivering him to the authorities is another story.

Well-educated and humble teacher Mr Hekmati arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman who nurses her elderly mother and raises her young brother.

A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.

As Mr Esalat seeks a topic for his TV show, he notices a story in the newspaper about a missing girl. The picture of the lost girl is very familiar to him and he tries to remember where he saw it before.