Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.

Undercover cop Marco infiltrates the Corona crime family but finds he must blur legal and moral lines to maintain secrecy and complete the mission.

Mimmo is a construction worker who only wants to live in peace, but has to work as a debt collector for his uncle. Everything changes when he meets Tanya, a beautiful, street-smart girl who shares his dream.

In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.

Vincenzo De Pretore explains to his girlfriend Ninuccia, who threatens to commit suicide if they don't get married, that he wants to wait until he can give her a comfortable life, and tells her that he is the son of a rich man, raised by a poor couple. But to make a living, he is forced to steal and ends up in prison. On Ninuccia's advice, he chooses St. Joseph as his patron saint, and from then on his "work" goes from strength to strength.

An Italo-American singer and as he arrives at the airport he is accused of being a draft dodger and is drafted. He soon begins a love story with his commander's daughter.

When a stage artist is send to fight he met a lovely girl.

The characters are two ruffians in various disguises: as false priests, they sell a rotten arm pretending it to be a relic of St. Luke; they cheat a stingy friar who abuses of the confessional to get rich and, once he finds out he's been cheated, gives himself sacramental absolution. They help the noble Filippo, disguised as a woman, in the alcove of the innkeeper's wife; they save from despair Fra Martino who had forgotten his underwear in his lover's house (one of them disguised as a cardinal retrieve the garment and expose it as a relic to the devotion of the faithful). To live with their lovers, Brother Jeronimo strives exorcisms and frà Partenope pretends to fight with the devil

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Luca is having lunch with his parents and his partner. During the goliardic atmosphere between embarrassments and smiles, Luca makes a very important confession at the table. The clarification with the parents and with the partner will put Luca in front of the awareness of being a victim of his imagination and of not having had the real courage to externalize the unspoken things.