Luo Luo’s intense fear of Covid-19 keeps her in the house during the pandemic. She listens to her father relate their family history, and spends time on Zoom with fellow Folk Memory Project members Wu Wenguang and Zhang Mengqi.

Darkly humorous reinterpretation of the zombie film, set in Beijing. Here the undead are real estate agents, nouveau riche businessmen, security guards, manicurists, and sex workers seeking contact in an increasingly individualized, alienating society.

This documentary shows how different young people try to realize their dreams to become famous through the film industry.

The one directorial feature by Ning Dai, sister of 5th generation filmmaker Ning Ying and wife of 6th generation filmmaker Zhang Yuan. It follows a chaotic period in November of 1993, when production suddenly halted on Zhang Yuan's TV film adaptation of a popular novel, Chicken Feathers, after the Chinese Film Bureau announced that Zhang could no longer direct the film due to submitting his previous independent feature, 1992's Beijing Bastards, to a film festival in Japan without receiving the proper authorization to do so. Ning's documentary features anguished meetings between the Chicken Feather's production crew as they debate replacing Zhang with another director, along with testimonials on the state of censorship in Chinese independent cinema of the early '90s from Wu Wenguang, Tang Danian, He Jianjun, Cui Jian, and others.

Thirty years later, Chuang encounters a past love in Zhongshan. As they wander the aging streets, true archival footage from his youth bleeds into fiction—a haunting journey through midlife melancholy and a city’s faded glory.

Never broadcasted feature film by Chinese documentary filmmaker Kang Jianning.

The third part in Wu Wenguang's Autobiography film series.

The first part of Wu Wenguang's Autobiography film series.

Edited together from materials taken from Caochangdi performances and activities between 2012-2013 and Wu Wenguang's own body camera record, this film can be regarded as a kind of "story follow-up" version of "Because of Hunger". In short, it is a kind of "remembrance".