Fitil is a popular Soviet/Russian television satirical/comedy short film series which ran for about 500 episodes. Some of the episodes were aimed at children, and were called Фитилёк, Fitilyok, Little Fuse. Each issue contained from the few short segments: documentary, fictional and animated ones. Directed by various artists, including Leonid Gaidai who presented his famous trio of Nikulin, Vitsin and Morgunov into the cast. It was called in USSR as "the anecdotes from the Soviet government".

Chuck Noland, a top international manager for FedEx, and Kelly, a Ph.D. student, are in love and heading towards marriage. Then Chuck's plane to Malaysia crashes at sea during a terrible storm. He's the only survivor, and finds himself marooned on a desolate island. With no way to escape, Chuck must find ways to survive in his new home.

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1943 year. On the instructions of the military newspaper, the photojournalist Varvara Knyazhich goes to the front line to take some pictures of the knocked-down powerful German tank "Tiger". In a combat situation, she has to face a difficult relationship between officers and subordinates. During the execution of a journalistic assignment, Varya is literally two steps from death. But it is here that she is destined to find her love...

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Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris' family, into the company of a cousin with his own intentions.

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During World War II, earnest young Russian soldier Alyosha Skvortsov is rewarded with a short leave of absence for performing a heroic deed on the battlefield. Feeling homesick, he decides to visit his mother. Due to his kindhearted nature, however, Alyosha is repeatedly sidetracked by his efforts to help those he encounters, including a lovely girl named Shura. In his tour of a country devastated by war, he struggles to keep hope alive.

The action begins in 1912. The heroes of the painting - neighbors, villagers, Cossacks from the Tatarsky farm of the village of Vyoshenskaya - have lived on this land for centuries, they are connected by kinship, friendship, love, common labor and military service. But this durable and self-sufficient world with its unique way of life, habits and a special system of views and values is collapsing under the onslaught of bloody turmoil and revolution. Don is divided by hatred. The seemingly immutable age-old foundations of Don life - land, farm, family, military duty - are dissolving in the crucible of fratricidal war. The Melekhov, Korshunov, and Astakhov families are involved in the cycle of military and political events.

The film takes place in Moscow in 1925, during the New Economic Policy (NEP). The three main characters - Misha, Genka, and Slava - have grown up and become Komsomol members. A murder occurs in their courtyard: engineer Zimin is shot dead at night. The prime suspect turns out to be a local hooligan. But Misha refuses to believe him completely and tries to find evidence on his own.

On falling in love with Sergey, Natasha gives up studies at a pedagogical institute and accompanies him to a construction site. In a course of time she realizes that her husband is interested only in his work. She leaves him, graduates from the institute and works as a teacher. But Sergey is fired for authoritative style of work and Natasha realizes that she must be near to him in his hour of need.

The student rowing team of the Moscow Aviation Institute (MAI) was defeated in the competition. The coach drops the team and leaves, taking the best rowers with him. The remaining athletes decide to assemble a new team, and the management of the institute appoints a new coach for them — a teacher of hydrodynamics.

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Danka's and Ksanka's childhood in the village brutally ends when their father is killed by a White Guard officer in front of their eyes. Seeking revenge, they join forces with Valerka, an intellectual from big city, and the gipsy Yashka, but before they can get close to their enemy they have to help their village and the advancing Red Army.

This exhilarating two-part film (“Soldier Ivan Brovkin” and “Ivan Brovkin on the State Farm”) presented to the country a new national hero – kind, modest, charming and… ne’er-do-well. That “ne’er-do-well-ness” proved “Kharitonov’s special key to audiences’ hearts”. Following Brovkin’s appearance on the screen, Kharitonov had become a star of the national cinema, an idol for millions of people. His incredible popularity may be compared to that of another national hero – the world’s first cosmonaut Yuri Gagarin. And not surprisingly, it was Kharitonov who made a cameo appearance going up the festival stairs and followed with the adoring eyes of the heroines in V. Menshov’s Oscar-winning melodrama “Moscow Does Not Believe in Tears”.

At the beginning of the 1941 war, a young talented artist Igor and his theater were evacuated to Tashkent. Here he meets music teacher Olga, who is seriously ill with malaria. Igor understands that only treatment in the capital will save the girl. But they are allowed into Moscow only on special passes. And then Igor almost by force drags Olga to the registry office. Feeling responsible for the girl, Igor begins to patronize her more and more...

The heroes of the film are students of a pedagogical university, those who, after a year or two, have to carry knowledge to schoolchildren, "to sow the rational, good, eternal." In the meantime, student practice. True, the practice is not quite ordinary, because for the first time students leave far from the walls of their own university, for the first time they meet with students in the classroom not in the presence of their teachers, those with whom life encounters them daily at the institute, but with those who have been working for more than a year at school.

Growing up in an orphanage, Florin is trying to find his mother Dorina, whom he has not seen for 15 years. His beloved Liza is very jealous of Florin's plans. Having met his mother, an already adult son is trying to understand the person who gave him life and abandoned him. But can a son forgive his mother, who deprived him of a happy childhood?

Alexei Gorokhov, a village boy, is known as an oddball and a madman. He is full of unbelievable ideas that make his fellow villagers laugh, but they turn out to be not so absurd: potatoes planted in nets yielded a bountiful harvest; a piglet taken for "education" turned into a good pig; and a well appeared near the school...

A second story about countryside cop named Aniskin.