KVN is a Russian humour TV show and competition where teams compete by giving funny answers to questions and showing prepared sketches. The programme was first aired by the First Soviet Channel on November 8, 1961. Eleven years later, in 1972, when few programmes were being broadcast live, Soviet censors found the students' impromptu jokes offensive and anti-Soviet and banned KVN. The show was revived fourteen years later during the Perestroika era in 1986, with Alexander Maslyakov as its host. It is one of the longest-running TV programmes on Russian Television. It also has its own holiday on November 8, the birthday of the game, which KVN players celebrate every year since it was announced and widely celebrated for the first time in 2001.

Russian game show based on the original French format of Fort Boyard.

Evening show Ivan Urgant. Movies, sports, new gadgets, art. What is happening in the country and in the world? Actual characters discussing the day's events and new music.

A series of documentary films chronicling life in ex-USSR and in the world year by year, by Leonid Parfyonov.

No synopsis available yet.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

The film is about the historical role of Georgians in Russian, and later - Soviet politics, culture and science. The heroes of the film are Bagration and Shevardnadze, Pirosmani and Danelia, Balanchine and Andronikov.

A young anarchist Karamora and his lover, Alina are caught–up in a confrontation with members of a powerful organization which costs Alina her life. Devastated, Karamora wants vengeance but this ancient secret order’s tentacles are everywhere, with depth and reach far beyond human capabilities. Karamora uncovers classified information that goes right to the heart of this arcane organization only to find out that real power lies elsewhere. Who are they, and will Karamora find peace once the truth is revealed?

No synopsis available yet.

No synopsis available yet.

A documentary series which presents a modern look at the history of the Russian state from 1697 to 1917. Each episode covers the reign of one or several monarchs from Peter I to Nicholas II.

Set in the ground zero of gangster globalism and driven by a truly manic energy, Generation P is at once a comedy, a tragedy and a fantasy about the rise of a poet-turned-adman through Russia’s nascent advertising business during the Moscow roaring 1990s.

Leonid Parfyonov travels to Georgia, where he studies how amphorae are made and grapes are crushed with bare feet, and learns why orange wine is slowly conquering the world.

In the film, the authors act as researchers of the Thaw era and the generation of the sixties.

Kashtanov, professor of medicine and famous Moscow surgeon, is experiencing midlife crisis. Suddenly he decides to leave everything and escape to the countryside in order to spend some time with old friends.

The second part of Leonid Parfyonov's project "Russian Georgians" will begin with a story about Stalin's design of the Russian patriotic upsurge in the Patriotic War, after which it will capture the post-war period - the Stalinist Russian style and the short-lived tandem of Beria and Malenkov. Then it will take us to the "thaw". The period of new heroes - a poet with a guitar Bulat Okudzhava and film directors Mikhail Kalatozov (Katalozishvili), Marlena Khutsiev (Khutsishvili) and Georgy Danelia. The journey will end with the stories of post-Soviet stars - Tsereteli, Tsiskaridze, Leps (Lepsveridze), Tutberidze and Akunin (Chkhartishvili).

Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.

The «Eye of God» is dedicated to the 100th anniversary of the Pushkin Museum. It shows how progressive and pro-West Russians can be, when it comes to comprehending the essence of beauty. Ivan Tsvetayev, a village priest's son, the founder of the museum, wanted the new generation of "Ivans" to understand that we are Europe, while Antiquity is our mutual cradle.

No synopsis available yet.

Parfenov's documentary is about a brilliant scientist and engineer, born in Russia, but only known on the other side of the ocean. The invention of modern television changed the history of mankind. The invention has an author, who is almost unknown in his homeland. Vladimir Zworykin, born in Murom, a Russian American, was the person who created distant wireless transmission of images.