An exuberant story about Askeladden, the hero of Norwegian traditional fairy tales, outwitting the good-natured troll.

On the coast of Sweden in 1888, a 12-year-old orphan finds adventure and new hope that his missing father survived a shipwreck years before.

In Norway in the 1600s, An-Magritt is born as the result of a rape.

Erik, the son of a wealthy farmer, and Anna, the daughter of a poor crofter, have known each other since they were children. Now, that they are grown up, they love each other, but their parents won't let them have each other, since their families are enemies. Erik's father wants him to marry a rich girl instead and when Anna hears about this, she falls ill and even starts to show signs of insanity. Will the two have each other or will everything go wrong?

Lieutenant Glahn arrives in a small village in northern Norway. He wants to live in peace in the company of his dog. The young Edvarda stirs emotions in the lieutenant.

An experimental and poetic portrayal of Oslo. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

'To the May sun of a September life', wrote Henrik Ibsen on the photograph of himself that he gave to 19-year-old Emilie Bardach in Gossensass in September 1889. This is a documentary about the sixty-second year in the life of the great Norwegian dramatist.

Tim is a proofreader at a newspaper in Oslo by day, and a pyromaniac at night. Only one other knows about Tim’s dark side: his childhood friend and editor of the newspaper. The two have kept the secret for years until the secretary, Margrethe, finds out.

A film about faces, about expressions, about situations. The film is based on a poem by the Danish poet Poul Borum. The recordings are made in the Munch Museum in Oslo and based on the faces of Munch's pictures.

Lavinia has left her husband before a cocktail party. They have both had relationships. A foreign guest, Sir Henry, analyzes their marriage and relationship. Will they find their way back to each other again?

While Sigurd Helmer is being dressed in his bishop's robes, the fanatical Tornkvist arrives at the ordination and watches from the background. Even before the ordination is over, he goes to the police. He has evidence that Helmer has stolen the office with the help of anonymous letters that slandered Tornkvist in the battle for the bishop's crozier. At the banquet in the bishop's residence, Tornkvist drops the accusation like a bomb. At the same time, he announces his engagement to Helmer's daughter, and the banquet table dissolves into complete confusion. Only Helmer's wife stands firm in her belief in his innocence. Helmer is then brought to trial, accused by Tornkvist. Based on Axel Kielland's play from 1955.