The workers of a dye factory have their pay cut by 20% when the factory owner brings in some Manchu thugs to try and increase production. Desperate to reclaim their full wages, the workers hire an actor to impersonate a priest and kung-fu expert from the temple of Shaolin. The factory owner proves the actor a fraud, and punishes all those involved. The young actor feels he has let the workers down, and promises to atone. He sets out for Shaolin, determined to be accepted as a kung-fu pupil at the elite temple.

Eagle Chief Yoh Xi-hung raises orphans to be his personal killers. One such is Chik Ming-sing who now wants to put his killer life behind him. When the Eagle Clan come after him, a stranger called Cheuk comes to his assistance It turns out that Cheuk is the son of a family who were robbed and murdered by the Eagles. Now they will team up to destroy the evil clan.

A brother and sister seek vengeance for the death of their parents by honing their martial skills and searching for the legendary Holy Flame sword. To avenge their parents they must fight their way through demons, ghosts, ancient booby-trapped temples, and cultish clans.

Three North Shaolin teachers are called on by the Manchus to teach their soldiers and are urged to challenge the current South Shaolin teachers. They defeat the South Shaolin teachers and, that night, the head general kills the South Shaolin teachers and blames their death on the North Shaolin teachers. The South Shaolin master sends more of his pupils, who are killed accidentally by the North Shaolin teachers. He finally sends two more of his students to train with old masters and trains one student himself with the goal of finally defeating the North Shaolin experts.

A prince enlists a thief to serve as his bodyguard to protect him from assassins.

A young boy betrays his family who hides a refugee and tells the pursuer where the hiding-place is - just because he wants a valuable telescope for reward. His father decides to kill the boy in order to restore the honor of the family.

A necrophiliac killer is murdering the prostitutes at Madame Lan's brothel.

2 million taels in gold has been stolen from a vault within the Forbidden City. The Empress wants the money returned within 10 days. Chief Constable Leng Tian-Ying is hired to bring back the gold robbers, dead or alive- and Leng's earned a reputation of never bringing anyone back alive.

Constantly mistreated by her cruel husband, the frail Chan Sau-ying awaits certain death from tuberculosis. The new servant girl, Kei-wah takes pity on her mistress' plight and the pair proceed to drown him one evening. They dump his body in a near-by pond but Sau-ying believes that the man's bloated corpse has risen from the bog to seek vengeance.

Sun Chung had made a name for himself directing satirical comedies and modern day crime thrillers when he started exploring the kung-fu genre with this fascinating tale which mixes music and martial arts. Revered choreographer Tang Chia leads a great action cast in a tale of conflicting clans and a mysterious song called "The Proud One" which leads to slowly blossoming love as well as sudden death.

Pao-yu is in love with his cousin, Lin Tai-yu, but his family has other marital plans for him that will leave both broken-hearted.

The story follows a "loveable" rascal as he gambles and gets into various bits of trouble with outlaws and rebels. He eventually gets into a situation where he has to impersonate the eunuch servant of an elderly eunuch who is an evil martial art master. This gets the rascal involved with the emperor who is studying martial arts. The whole movie revolves around a quest for all the copies of a special Buddhist text.

Yuen becomes immortal after 500 years of practising at the Dai Lor realm. His arch nemesis demon descends to earth, so he descends after him in the form of an infant. 18 years later, they come to a clash while defending a princess.

Most of the Liang family are murdered by Ling Guixing and the surviving son Liang Tianlai (Ng Wai-Kwok) wows to bring him to justice. Fighting against corruption in several courts, his only main witness is beggar Afeng but as Ling has people around him willing to bribe and murder, soon Liang is left alone. All up until he meets what seems like the last upstanding official...

Cricket (Hon Kwok-Choi) wants to be a kung fu master so he can marry Ah Zhu (Yau Chui-Ling) because her father thinks he is weak. So she gives him gold bars to get proper training. Cricket encounters various teachers that are really con men that take his gold yet Cricket still manages to learn kung fu to face those standing in his way.

A lone martial artist nicknamed “Mongrel” is continually drawn into an intense struggle between several warring martial arts clans after he stumbles across the Black Iron Token, which entitles the owner to have any wish granted by Xie Yanke, a brutal kung fu master.

In “82 Tenants” the widow Zhang and Bing, her new young consort, want to sell an apartment house to a property developer but old man Zhang's will provided that the current tenants can stay there as long as they want or the building survives. So it is clear who the villains are—joining the greedy couple is Chao who has purchased all the land around the building but needs this final piece so he can know everything down and build a money spinning edifice. One the other side are the tenants, a disparate group whose grudgingly and occasionally antagonistically shared communal life, while not ideal, is certainly better than not having a place to live.

13 family members are murdered and then dumped in a well. 30 years later their descendants are cursed...

The plot is a trifle about an obnoxious restaurant delivery boy causing trouble with some local bad guys for the cook who secretly knows kung fu, eventually learning some techniques and finally, with the cook, confronting the bad guys.

Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)