From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

Obsessed to reunite her late brother’s rock band, Asti tracks down its former members—now scattered and changed by life. As they struggle to reclaim their old sound, tensions rise, love sparks, and one final mystery remains: finding their missing keyboardist.