In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

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A famous academic, very in love with his much younger wife, has every reason to believe that his love is reciprocated. He learns that he is being cheated on and falls seriously ill. His wife cares for him tirelessly and he understands that she has always given him the best of herself.

Monique is an ingenue, a clueless girl who believes in true love. A marriage is the only thing a decent girl must long for. When she discovers that her future husband has a lover, she rebels against her bourgeois family.

Fedora swears to avenge the death of her fiancé, Prince Yarischkine, killed by Ipanoff who fled to Paris. She finds Ipanoff whom she falls in love with and he confesses to having killed her fiancé because Yarischkine was his wife's lover. But learning that her brother was executed because of Fedora, Ipanoff leaves her. Fedora commits suicide.

A baby is abandoned near the Neva in St. Petersburg 1890. A teacher picks it up and takes the little girl. 20 years pass, Masha (Claudia Victrix) flee Russia because her father conspired against the Tsarist regime and is in the attention of the dangerous General Bourgassoff (Jean Toulout) . She goes to study medicine in Paris....

Struggling actor Simon witnesses a murder; he didn't see the killer, but that doesn't stop him from claiming that he did in order to get his name into the papers. Sure enough, the murderer targets him as his next victim. Our hero is temporarily rescued by Jeanne, a fellow aspiring actress who has always had a crush on him.

Philippe Lutcher, an anarchist, fires a shot at Clara Stuart, a famous stage and screen actress, but only wounds her. The star, through affectation and curiosity to know his motives, pleads in his favour at his trial, but he rebuffs her pity. After he has served 18 months in prison, they meet and fall in love.

Breton doctor René Laennec fights tooth and nail against consumption, all the more desperately as his brother Michaud has just died of it.

Hélène and Aldo Giovanni are a circus trapeze double act and a couple. Aldo is temporarily replaced by former-partner Alexandre when the former is injured. The two get into a fight and the following day Alexandre is discovered dead. Hélène suspects her husband is responsible for the murder.

Adapted from a play by Romain Coolus, whose work Dulac had covered as a theater critic at the turn of the century, this atmospheric and socially inquisitive film tells the tale of an independent, sexually liberated woman (Eve Francis) who is torn between her husband (Gabriel Gabrio) and her lover (Paul Guide). Controversial at the time of its release, Antoinette Sabrier finds Dulac using her bold sense of visual rhythm to achieve a complex portrait of a woman trapped in an unhappy marriage and a nuanced investigation into human intimacy, with her characters’ emotions expressed through then-innovative cinematic techniques such as slow motion and associative montage.

The knight Henri de Lagardère wants to avenge the death of his friend, the duke Philippe de Nevers assassinated by the prince de Gonzague, a few years before.

The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.

Newlyweds Edward & Caroline are preparing for an important evening when a quarrel over Caroline's dress sets off a series of domestic brouhahas.

Lieutenant Varnière, responsible for discovering the cause of the death of two officers in Algeria, unmasks the assassin in the person of a Russian who lives with three women. He falls in love with one of them and runs away with her while the Russian is killed by a devoted servant.

During the First World War, the Russian officer Captain Ivan Ignatoff falls in love with his nurse, Natasha Kovrin. But she is subject to an upcoming marriage of family convenience to Brioukow, a wealthy industrialist of peasant stock. Brioukow is unjustifiably jealous, since Natasha has not betrayed him. He forces Ignatoff into his debt as a means of humiliating him. When Ignatoff's new friend, Madame Sabline, offers to pay his debt, preventing his ruin, Ignatoff comes quickly to realize that Madame Sabline has an ulterior motive, one that could prove dangerous to more lives than just Ignatoff's.

"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center

Bernard Lefrancois is a prosperous farmer on the River Marne, while his neighbor is impoverished. Lefrancois objects strongly to the romance between his son and the neighbor's daughter, but it continues in secret. WWI begins and the son becomes an aviator with the French army, and the unwed girl presents Lefrancois with an unexpected grandchild. The German army occupies the area, and the girl is serving France as a spy and securing information needed by the French to drive out the Germans. While his son is engaged in air-combat against the Germans, and the unwed mother of his grandchild is serving as a spy against their country's enemy, Lefrancois also joins the battle as a soldier.