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Cabral is a 60 year old playwright who's married to Glorinha, an actress who's 20 years younger than him. They've been together for half of her live, and now they're getting bored...

No synopsis available yet.

Cabral is a writer who decides to spend his summer writing a series about love stories. It is then that he begins to look back over his life and his works. He is married to Glorinha, a woman twenty years younger than him, with whom he has a daughter, the young Samanta. Glorinha dreams of having a second child, but Cabral rejects the woman's desire, creating a stalemate between the two.

Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Ana Laura is a 40 year-old, good looking and well-informed TV News Anchor who's also a cocaine addict. Facing her career decline as the channel she works in starts to give more space to younger professionals, she faces a night of unusual events as she dives further into drug abuse.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

Documentary about the cinema that formed the Paissandu Generation, in the 60s, and the cultural and social impact of that period for the country's history.

In Rio de Janeiro, at the end of the millennium, a group of mostly middle-aged friends share their lives and experiences with each other.

The documentary is a tribute to Theater based on the trajectory of Clarice Niskier who made her job her own lifestyle. As a central axis, interviews with the three directors with whom Clarice developed long partnerships: Domingos Oliveira, Eduardo Wotzik and Amir Haddad. Through an intimate and sensitive look, the film reveals her passion for the craft, her life experience, her poetic worldview, her spiritual and intellectual search, pains, joys, losses and gains. Clarice makes the black box the more than perfect symbol of her own Universe: the Theater.

David, a man in his twillight years, lives all by himself and decides to invite two childhood friends for a day at his house in Petrópolis, where they spend hours talking about the past.

Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.

Erotic comedy in four episodes loosely inspired by the 'Black Book of Love' by Marquês de Sade, whose stories were merged and reassembled with different treatments in each episode.

At the heart of an upper-middle class family resides a bizarre love triangle. Two men, one woman. An essay on the various possibilities and rituals of recent freedom, Os Demónios da Liberdade is also a manifest of sexual freedom. But the demons are still around.

Portuguese television version of the jekyll and hyde story from 1972.

Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.

A look into the life and mind of Brazilian playwright and filmmaker Domingos Oliveira through his daily activities and artistic deeds.

Four actresses in their mid-forties get together in the afternoon to write a play about their own experiences. But the director isn't satisfied with the outcome.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.