When their latest heist goes wrong, three older female burglars evade officials by hiding out in a nursing home — where they uncover a sinister secret.

A comedy set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.

It's the story of two slightly crazy guys who are forced to leave their town, where the annual Gooseberry Days celebration is the biggest attraction, and go to London for work. To say, however, that the tour doesn't go according to plan would be a very mild description of what happens next. The protagonists get separated at the very beginning as a result of a gnarled party. The journey that follows is woven with a plethora of marvelous characters. The viewer will find among them: truckers, gypsy camper traders, anarchist squatters, recidivists hiding from the Polish justice system or go-go club employees.

The heroes fight in the seemingly idyllic setting of the Karkonosze Mountains, against which the international drug trade takes place. Who will support the nameless avenger and who will stand behind the demonic boss of the local mafia? It's only a seemingly simple matter.

At Theater an der Wien Stanisław Moniuszko’s Polish national opera Halka is performed by a superb cast including Corinne Winters ('devotedly') , Piotr Beczała ('vocally outstanding') and Tomasz Konieczny ('his acting is piercing') (Der Standard). The Polish leading team, above all director Mariusz Treliński, puts the plot into a supercooled crime aesthetic. The ORF Radio Symphonie-Orchester Wien under the baton of Łukasz Borowicz plays with perceptible delight.

As the saying goes, “Shakespeare invented him, Verdi made him immortal” – and, surely, it was Bryn Terfel who defined him. Terfel first sung Falstaff in 1999, and in 2021, the bass-baritone superstar returns once more to the role at Grange Park Opera. In a production by Stephen Medcalf first shown in the 17th century Farnese theatre in Parma in 2011 with designs that are truly Falstaffian including sensational backcloths by Italian supremo Rinaldo Rinaldi.

After the destruction of Troy, the Trojan warrior Énée sets out on a journey to found a new dynasty. He meets Didon, Queen of Carthage, and falls in love. But will Énée's love for Didon prove stronger than his sense of duty? LES TROYENS ('The Trojans') is a tour de force of music that ranges from fiery military marches to intense choruses, passionate soliloquies – such as those of the prophetess Cassandre – and the lyrical love duets of Didon and Énée. It is Hector Berlioz's largest work and he wrote the libretto himself, drawing upon his intimate knowledge of Virgil's Aeneid. To the composer's disappointment, LES TROYENS was only performed once in full during his lifetime and was often presented in shortened form during the 20th century. The Royal Opera's production provides a rare chance to see this epic work in its entirety. David McVicar's staging is on an enormous scale, assembling one of the largest casts ever seen at Covent Garden.

The star singers in this revival of the 2006 production were Angela Gheorghiu, Jonas Kaufmann and Bryn Terfel; the Royal Opera Chorus and the Orchestra of the Royal Opera House were under the baton of Antonio Pappano, the Music Director of the Royal Opera House. The pageantry of church ritual, the darkness of a brooding study with its hidden torture chamber and the false optimism of the light of a Roman dawn - all throw into relief the love of the beautiful diva Tosca, the idealism of her lover Cavaradossi and the deadly, destructive obsession of the malevolent Chief of Police, Scarpia. Drama, passion and fabulous music.

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

Peter Grimes lives from fishing. Raw and recluse, he finds himself at odds with the local community who accuse him of brutality towards his young apprentices and blames him for the death of one of them. A few friends stand up for him - Ellen Orford, a widow whom he wants to marry, Balstrode a retired sea captain, and an apothecary Ned Keene - but Grimes remains a mysterious figure. What really happened to his missing apprentice, and was he involved?