A manuscript delivered to a playhouse is eventually turned into a major hit with critics and audience alike. The only problem is that no one knows who wrote it. The actress of the play receives a call from the author and the two quickly becomes friends, but the man won't give any details about himself- He has a secret.

Pisa, 1494. Young Severo, who has sworn to stab the tyrant in his town, learns that it is his own father.

French horror short from 1913.

A French silent film directed by Louis Feuillade.

No synopsis available yet.

Charming Mimi-Trottin is in love with typographer Louis Chausson, nicknamed Godasse. She meets Doudou, actually a Vicomte, estranged with his parents who are rich automobile manufacturers. Godasse abandons Mimi because of his professional ambitions and Doudou rescues her from a suicide. After making peace with his parents, the young man has Mimi hired as a typist at the factory. After winning a race with one of his father's car, he soon wins the heart and the hand of Mimi.

A 1916 french silent film.

Madam Berre, the widow of an African traveler, has a lion and two lionesses in her conservatory. Fred, a servant who abuses her beasts, is sent away by her. Under the pretense of haven forgotten his hat, he comes back while Mrs. Berre receives guests that evening and takes his revenge.

Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.