Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

A family of five living in 50 square meters without air conditioning on a scorching summer day decides that perhaps the best option is to stay overnight in the empty 'mansion' where the father works as a gardener.

The story of "Romance of the Black Moon" introduces Clara, a 75-year-old woman who lives alone in an apartment at the top of a Basque farmhouse. Her routine is disrupted by the arrival of a mysterious neighbor. From then on, the apparitions begin: shifting faces, philosophical presences, returning memories. Clara moves between the everyday and the extraordinary, between the tangible and that which fades like a dream. In each place, the encounters with these figures draw her closer to an intimate enigma.

La Buena Voz (aka The Good Voice) explores the relationship that develops between a father and a gay son he never knew existed -- two men suddenly and unexpectedly thrust into each other's lives. Pepe, a slightly listless, fifty-something taxi driver with a heart condition, suddenly learns that he fathered a child, Jordi, from a quiet affair with his wife's girlfriend. Jordi, now HIV-positive, enters Pepe's world and recolors the elder's perspective and outlook on life, with his take-no-prisoners zeal for living and a restless, inquisitive spirit.

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