Humanity must resume its war against the Martians when they revive after decades of hibernation following their defeat in the 1950s. The fate of Earth may very well rest in the hands of a small yet courageous band: astrophysicist Harrison Blackwood, paraplegic computer wizard Norton Drake, microbiologist Suzanne McCullough and military man Paul Ironhorse.

Night Heat was a Canadian police drama series. It starred Allan Royal as journalist Tom Kirkwood, who chronicled the nightly police beat of detectives Kevin O'Brien and Frank Giambone in an unnamed northeastern North American metropolis. The police crime drama series aired on both CTV in Canada and CBS in the United States from 1985 to 1989. Night Heat was conceived by Sonny Grosso, a former New York City Police Department detective. Grosso served as the show's executive producer along with his partner, Larry Jacobson.

Janus is an Australian drama television series screened on the Australian Broadcasting Corporation in 1994 and 1995. Two series were produced, with a total of 26 episodes. Janus was a spin-off series from the earlier ABC-TV crime series Phoenix. Loosely based on the true story of Melbourne's Pettingill family and the Walsh Street police shootings, Janus follows the bitterly-fought prosecutions of a notorious criminal family, the Hennesseys, from the viewpoints of the family, the police and, in particular, the lawyers, prosecutors, barristers and judges involved in all aspects of the story. When the series begins, four members of the infamous Hennessey clan are acquitted of the shooting of two young policemen in a bungled bank heist. The city of Melbourne is shocked as brothers Mal and Steve, along with brother-in-law Darren Mack and friend Ken Hardy, walk free. The prosecutors, judges, magistrates and police—many modelled heavily on real-life legal figures—are determined to put the Hennessey members behind bars if they can. But corruption, legal loopholes, delays, and stretched resources combine to make the quest to jail the group far from straightforward.

A 40-year-old bachelor gets his wish to be 17 again, and he goes back to high school where he romances the daughter of the woman he dated in high school the first time.

Letting Go stars John Ritter as a widower and Sharon Gless as a lonely unmarried woman. They meet during a group-therapy session. Romance is inevitable, but the road to true happiness is pockmarked by a series of comic complications. Advertised as a straight romantic drama, Letting Go is actually more akin to the screwball comedies of the 1930s, with a strong satirical bent regarding "behavior modification" theories. The made-for-TV film debuted May 11, 1985.

Seventeen year old Izzy Marks lives in Toronto with her divorced mother and finds her life boring and directionless. Meant to be a sequel to Don Owen's acclaimed 1964 film "Nobody Waved Good-bye", "Unfinished Business" looks at life two decades later for Peter and Julie's (Peter Kastner and Julie Biggs) daughter Isabelle "Izzy" Marks (Isabelle Mejias). Curious, funny and intelligent, 17 year old Izzy feels the frustrations of her limiting environment and the pull of a more exciting, larger world. She meets passionate anarchist wannabe Jessie 'Fixit' (Peter Spence) and is quickly drawn into his free living alternative lifestyle. Much to the displeasure of her once free-thinking parents and friends.

Based on the controversial case of Pvt. Joseph Pringle, a Canadian soldier convicted of murder in Italy in 1945 and executed by firing squad.

Petty thieves Jabber and Reno are blackmailed by the police to uncover the identity of a mobster who is killing the city's drug dealers. While reluctant, they're convinced by the offer to expunge their own crimes. They go undercover and track a suspect named Curtis King. Soon they find evidence of Curtis's crimes, but amplify the danger in which they find themselves.

Advertising executive, Alex Grier, is fired and is unable to find another position, being over-qualified. His wife, Annabelle, with no experience, is hired by the Freddie Fox agency when she uses her husband's résumé to get the job. He remains at home, raising their three children, coaxing his wife while trying to write the "great American novel."

Mária, a 55-year-old plastic surgery addict and lonely nail technician, one day finds her young love, Kalman, on Tinder. Soon they arrange a meeting, but because of her disfigured face, he has no idea that she is about to go on a date with her former lover. Mary does her best to keep her true identity hidden and to appear as perfect as possible in her new look.